646f9e108c Bank-robber Franck Adrien is serving a prison sentence after robbing a national bank. Before he was caught he managed to hide the money but now it's not just the police who are looking for the money. His cell-mate is Jean-Louis Maurel, an alleged rapist/child molester who claims his innocence. When the court finds Maurel not guilty, Maurel promises to look after Franck's family when he gets out. But one day, a man called Manuel Carrega tells Franck that Maurel is a suspected serial killer and that Franck's family is in danger. Franck escapes from prison and police officer Claire Linné and her team take up the chase.
One of the best tense thrillers seen in a long time though be also prepared to witness the terribly sick side of the human mind so well depicted. The film is packed with superb action, chases, suspense and tension and yet never feeling over the topthe scenario painted is so very plausible. Albert Dupontel plays the role of the fugitive prisoner with such realism, one gets the impression one is watching a docu-drama.<br/><br/>Where good many films content themselves with ensuring the viewer is left in a pleasant frame of mindthe story finally unfolds, this one has the courage to portray events more akin to reality, perhaps this may explain the film's low IMDb score and why even the critics may have found the movie hard to stomach?
French thriller that moves right along, incrementally closing down your brainit does so. Albert Dupontel has the face to makes it worka con on the lam but he's undermined by his nemesis - lady cop Alice Taglioni who looks likes she's just stepped off the catwalk. Her long, luxuriant arms look like they wouldn't trouble a fly of average strength but here they're knocking perps flat out. Even for the French, this is a bit de trop. The rest of the cast are the real deal with everyone playing their part to the hilt. It also looks good and the endless chases are well executed but in most aspects it's blown away by French TV cop shows like Spiral.
Okay, The Prey is ridiculous hokum that proves the French can make overwrought Hollywood thrillers with the same indefatigable energy and implausible realismanyone else. It is also a slick, suspenseful adrenalin rush disguisedunexpected, nerve-wracking fun.

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